On November 6, 2024, the Center for Buddhist Studies invited Kunga Kandro, the founding president of the Jonang Tradition of Tibetan Buddhism in Taiwan, to deliver a lecture titled "Thangka Art and Its Schools." He provided an in-depth introduction to the history and diverse styles of Thangka art, attracting nearly 60 enthusiasts. As a significant form of Tibetan Buddhist art, Thangka embodies rich historical and cultural connotations. The lecture focused on the origins, stylistic characteristics, and technical evolution of its various schools.
During the lecture, Kunga Kandro shared insights on several Thangka schools, including the Chewu Gangpa, Menri, Khyenri, Karma Gadri, and Regong schools. Each school possesses unique characteristics, demonstrating distinct compositions, color applications, and thematic focuses. For instance, the Chewu Gangpa style emphasizes rigorous composition, utilizing rich variations of cinnabar red punctuated by blue and green accents. Conversely, the Menri school leans towards softer lines and a realistic style, incorporating elements of Han Chinese landscapes such as flowers, mountains, and waters.
In addition to introducing the major schools, Kunga Kandro detailed the Thangka creation process—from canvas preparation, sketching the composition, and applying color, to the "opening of the face" (painting the eyes and facial features) and the final consecration. Each step requires the painter's meticulous care and devotion. Thangka is not merely an art form but is regarded as a part of spiritual practice; painters must maintain focus and piety throughout the creation process to fulfill their dual mission of religion and art.
The lecture also highlighted technical innovations and historical evolution within Thangka art, such as the Khyenri school's intense blue backgrounds and vigorous lines, and the Regong school's distinctive local colors and extensive use of gold patterns. The session sparked immense interest among the audience, leading to active interaction and in-depth discussions on the application and development of Thangka in contemporary art and religious life.
Pictured is the lecturer, Kunga Kandro.
Assistant Professor Sonam Wangjal of the Department of Buddhist Studies at Fo Guang University presenting a gift on behalf of the center.
